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Displaying results 1 to 7 out of 7
1: [100%] Angela Melitopoulos – Möglichkeitsraum I (The Blas... »
Angela Melitopoulos – Möglichkeitsraum I (The Blast of the Possible) ,WUNDERLAND SERIE 2009 Angela Melitopoulos – Möglichkeitsraum I (The Blast of the Possible) WUNDERLAND SERIE 2009 Der Möglichkeitsraum I inszeniert Photographien aus dem UNArchiv in Zypern zu einem großformatigen Screenplay auf dem ...
2: [100%] Angela Melitopoulos – Möglichkeitsraum I (The Blas... »
Angela Melitopoulos – Möglichkeitsraum I (The Blast of the Possible) ,WUNDERLAND SERIE 2009 Angela Melitopoulos – Möglichkeitsraum I (The Blast of the Possible) WUNDERLAND SERIE 2009 In a trans-national, spatial montage, Möglichkeitsraum I plants unpublished photographs from the UN-Archives in Cyprus ...
3: [75%] Consistorium Talk – The Artist and Urban Developme... »
... in gentrification procedures. Beyond exploring the theoretical background of these transformations, we would like to develop an outlook onto possible fields and strategies for artistic practices, that deal with the critical aspects of their action in urban transformation. Invited speakers: ...
4: [69%] Kulturbahn presentation »
... a public playground, bringing together Berlin-born or Berlin-based creatives to explore the park’s histories, presences, and most importantly—possible futures. Projects will respond to the park’s landscape, material resources, and political ideologies to model sustainable creative practices ...
5: [63%] ZK/U »
... individual projects and needs shape what could be described as a continuous formation. Instead of letting the ‘final product’ constrain the possible routes that a practice might take, ZKU focuses on the processes that come from, and feed into, the particular contexts of the fellows’ ...
6: [55%] Leopold Kessler – Fence sharpening »
... of Fine Arts Munich then from 1998–2004 at the Academy of Fine Arts Vienna. Kessler has addressed the issue of public space in the widest possible sense of that term since the start of the present millennium, first and foremost by means (among others) of unannounced interventions and later ...
7: [54%] Henrik Schrat – Ravens and Roses »
... black raven stand for fear – decorative rose petals on the other hand stand for hope. Together they conceal a certain lucidity that it proves possible to easily and comprehensibly deploy in situ, in a participatory process. As in previous work, so in this project: Henrik Schrat's nose for ...
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